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History Viewed from a River |
[Reprinted from
Fragments, April-June, 1967. The selection is from his first book,
A Week on the Concord and Merrimack Rivers, published in
1849]
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WE SHOULD READ history as little critically as we consider the
landscape, and be more interested by the atmospheric tints and various
lights and shades which the intervening spaces create, than by its
groundwork and composition. It is the morning now turned evening and
seen in the west, -- the same sun, but a new light and atmosphere. Its
beauty is like the sunset; not a fresco painting on a wall, flat and
bounded, but fluctuates as the face of the landscape from morning to
evening. What is of moment is its hue and color. Time hides no
treasures; we want not its then, but its now. We do not complain that
the mountains in the horizon are blue and indistinct; they are the more
like the heavens.
Of what moment are facts that can he lost, -- which need to be
commemorated? The monument of death will outlast the memory of the dead.
The pyramids do not tell us the tale that was confided to them; the
living fact commemorates itself. Why look in the dark for light?
Strictly speaking, the historical societies have not recovered one fact
from oblivion, but are themselves, instead of the fact, that is lost.
The researcher is more memorable than the researched. The crowd stood
admiring the mist and the dim outline of the trees seen through it, when
one of their number advanced to explore the phenomenon, and with fresh
admiration all eyes were turned on his dimly retreating figure. It is
astonishing with how little cooperation of the societies the past is
remembered. Its story has indeed had another muse than has been assigned
to it. There is a good instance of the manner in which all history
began, in Alwakidis' Arabian Chronicle: "I was informed by
Ahmed Almatin Aljorhami, who had it from Saiph Ebn Kais Alamiri, who had
it from Saiph Ebn Fabalah Alchatquarmi, who had it from Thabet Ebn
Alkamah, who said he was present at the action." These fathers of
history were not anxious to preserve, but to learn the fact; and hence
it was not forgotten. Critical acumen is exerted in vain to uncover the
past; the past cannot be presented; we cannot know what
we are not. But one veil hangs over past, present, and future, and it is
the province of the historian to find out, not what was, but what is.
Where a battle has been fought, you will find nothing but the bones of
men and beasts; where a battle is being fought, there are hearts
beating. We will sit on a mound and muse, and not try to make these
skeletons stand on their legs again. Does Nature remember, think you,
that they were men, or not rather that they are bones?
Ancient history has an air of antiquity. It should be more modern. It
is written as if the spectator should, be thinking of the backside of
the picture on the wall, or as if the author expected that the dead
would be his 'readers, and wished to detail to them their own
experience. Men seem anxious to accomplish an orderly retreat through
the centuries, earnestly rebuilding the works behind, as they are
battered down by the encroachments of time; but while they loiter, they
and their works both fall a prey to the arch enemy. History has neither
the venerableness of antiquity, nor the freshness of the modern. It does
as if it would go to the beginning of things, which natural history
might with reason assume to do; but consider the Universal History, and
then tell us -- when did burdock and plantain sprout first? It has been
so written for the most part, that the times it describes are with
remarkable propriety called dark ages. They are dark, as one has
observed, because we are so in the dark about them. The sun rarely
shines in history, what with the dust and confusion; and when we meet
with any cheering fact which implies the presence of this luminary, we
excerpt and modernize it.
But it is fit that the Past should be dark; though the darkness is not
so much a quality of the past as of tradition. It is not a distance of
time, but a distance of relation, which makes thus dusky its memorials.
What is near to the heart of this generation is fair and bright still.
If
we could pierce the obscurity of those remote years, we should find it
light enough; only there is not our day. Some creatures are made
to see in the dark. There has always been the same amount of light in
the world. The new and missing stars, the comets and eclipses, do not
affect the general illumination, for only our glasses appreciate them.
The eyes of the oldest fossil remains, they tell us, indicate that the
same laws of light prevailed then as now. Always the laws of light are
the same, but the modes and degrees of seeing vary. The gods are partial
to no era, but steadily shines their light in the heavens, while the eye
of the beholder is turned to stone. There was but the sun and the eye
from the first. The ages have not added a new ray to the one, nor
altered a fibre of the other.
If we will admit time into our thoughts at all, the mythologies, those
vestiges of ancient poems, so to speak, the world's inheritance, still
reflecting some of their original splendor, like the fragments of clouds
tinted by the rays of the departed sun:
these are the materials
and hints for a history of the rise and progress of the race; how, from
the condition of ants, it arrived at the condition of men, and arts were
gradually invented. Let a thousand surmises shed some light on this
story. We will not be confined by historical, even geological periods,
which would allow us to doubt of a progress in human affairs. If we rise
above this wisdom for the day, we shall expect that this morning of the
race, in which it has been supplied with the simplest necessaries
will be succeeded by a day of equally progressive splendor; that, in the
lapse of the divine periods, other divine agents and godlike men will
assist to elevate the race as much above its present condition. But we
do not know much about it.
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